If there was a WAY to have your computer do the HARD work for you…

THIS WOULD BE IT:

 



Don't just take my word for it...

“In the 15 years I’ve been writing for TV and film, I have never come across a system so intuitive to the writer’s needs. This is why movies used to be better than they are now. It’s easily going to shortcut the story breaking on all my projects from now on. Its value was so clearly demonstrated when we had Mitchell sit in on a script meeting on one of my projects and in a matter minutes he identified and help solve a major plot issue that had been eluding us for weeks.”
Jeremy Miller, Writer/Producer: Entourage, Boston Public, We Are Marshall (Script Doctor), Ghost of Girlfriends Past (Script Doctor)
“I approached Mitchell for assistance on a project I have in development. His guidance was insightful and hugely helpful. Mitchell's unique approach to screenwriting and his innovative custom software brought instant clarity to both the characters and structure of my project. I would highly recommend Plot Control as an invaluable tool for developing a screenplay.”
Diane Nabatoff, Producer (Tiara Blu Films): Girl Soldier, Take the Lead, Narc, Fear
“Mitch has developed a unique and extremely useful program to assist writers in developing a fool proof story. Having produced, written and directed movies and television for thirty years, this screenplay program is the most useful tool I have ever seen. Plot Control is the best tool for the young and established writer in helping them map out a successful story.””
Rocky Lang, Producer/Director/Writer, White Squall (A Ridley Scott Film), Nervous Ticks, Titanic
"Good story telling starts with good structure… and good structure starts with Plot Control. This software is like structure on steroids. It structures a story’s “Core Elements”, it “Triangulates” & structures your thematic elements, and of course it structures your three acts. With Plot Control structure is just done for you. (Very Cool.)"
Andy Jenkins, Producer and Partner: Haxan Films

“This is the program you want to consult for each and every project, as it guides you through the fundamental stages of story and character development and how they interrelate to make what we call a ‘movie.’ Like a pre-flight checklist or any other kind of trusted resource, I can see myself returning again and again to this program as my knowledge and understanding of character and plot deepens with every go around.”
Howard Reichman, Producer/Director/Writer, Village Filmworks: Wired City
“I’m an award winning writer/director and this system and approach to writing a movie is the most unique and effective method I have ever seen. It really does enable you to write a screenplay that will meet the highest professional standards on the very first pass.”
Tony Travis, Writer/Director/Educator, 2 Tone Films: Love Goggles (Hollywood Black Film Festival Winner)
“I've read heaps of books and attended countless seminars on writing screenplays. ReelWriting makes the most sense to me. It's a step-by-step guide to cracking your screenplay's core story that has already saved me months (perhaps years!) of precious time. Even better, working personally with Mitchell German has expedited the writing process. His structuring of key elements is genius.”
Donna Sozio (Bestselling author of Never Trust a Man in Alligator Loafers (Kensington 2007) and The Man Whisperer (Adams Media 2011). www.donnasozio.com
“I’ve done a few courses and read dozens of books over the years and never got even close to a decent script. After just two months or so in this program I have a first draft and even interested producers. This course showed me how to do it (which no book could) and the private coaching with Mitchell German helped me to refine the concepts clearly. Without this course I would still just be sitting with a few index cards and a disjointed story.”
Martin Nel, South Africa



What do Writers Guilds think...?

"When I saw the initial write-up on this piece of software, the first thing that struck me was that this was exactly what the attendees of our workshop with Savo Tufegdzic on fast and efficient writing wanted after the seminar. The second thing that struck me was that it was actually affordable for writers in countries like South Africa, which have an often prohibitive exchange rate to the US Dollar.

On making contact with Mitchell German, the American producer and script doctor who has designed the programme, it became even more obvious that I was dealing with an industry professional who not only knew what he was talking about, but who could also appreciate the tough times writers often go through.

I can now report that, thanks to Mitch, a review copy of Plot Control is installed on my computer and that I’ve had a couple of days to play with it. While the download was fast and easy, I did encounter a small hiccup when I realized that I needed a Microsoft programme called Silverlight version 4 before installation. It’s a free download from the internet (http://www.microsoft.com/getsilverlight/Get-Started/Install/Default.aspx).

Then install, activate and get ready to be creative.

The programme launches with what really is a software application to map out and structure your story and develop your characters. From there it leads you to explore the core elements of your story before looking at the story triangulation. This was the most interesting part for me as it reveals how the story structure has a domino effect on the main character and his personal goal, and forces you to relate all the different story elements and plot points back to the character’s primary objective.

The programme then looks at the three act story structure and spells out the major turning points, allowing even novice writers to quickly fashion a script or screenplay which is structurally sound and has all the elements to make it successful.

I found Plot Control to be extremely helpful in keeping track and utilising all the different story elements to their best ability. It really is a handy tool for all writers and, for newer writers who have not had the luxury of attending a Sediba course or specialized scriptwriting school, this programme is worth its weight in gold."

Writer's Guild of South Africa
"There is a lot to like in this offering - and I did look at the videos. I was particularly impressed by the last two where you pick and peck your way through the 'canoe' story idea. That is so real and so very like the way it actually works that it inspires confidence in the whole product. No slick, well rehearsed patter. No missed or glossed over bits. Just the real deal. Step by step I followed along and saw where my ideas would be properly and professionally captured and transformed into a useable outline. I saw how the flag went up to point the user to the need for research and where it was possible to 'wing it' feeling that the software would keep my story in proper shape.

I taught screenwriting and novel writing for a decade or more at university and was Chair of the Australian Writers Guild for two terms so my expectations for Plot Control were high. Even at version1.x.x the software is perfectly useable, reliable and gestalt in its tightly woven form. It could stand as it is with no further development but with the spiffing development you have planned for it I can see it being adopted by screenwriters, novelists and writing faculties in universities and colleges.

Yes indeed, a lot to like."

Dr. Patrick Maher, Chairman of the WA Chapter of the AWG for Two Terms



How about recent buyers...?

"I have to say I'm thrilled with how quickly and simply the program has made me focus on the core of the story, nail down the theme of my newest script and find the link I needed to tie them together. Love it. Thank you!!!"
Margaret Riseley
"I wish to thank InkTip for introducing us to your site. I've been a student of Truby for long years and Syd Field -- and they all have my respect, but when I watched and listened to Mitchell German, his honesty, sincerity, and genuine desire to share his knowledge had us download Plot Control. After that, I've upgraded to the Mega Course. He is easy to listen to, a delight, really, and the software is functional, quite brilliant; the content is truly exciting.

Reviewing the site, the content, the software, and considering how you translated it to a format that is user-friendly, even for beginners, but also a refreshing re-introduction to the craft (plus art) of screenplay development for professionals -- is a remarkable achievement. The software compliments the content flawlessly. It is an engaging mix of craft and creative ingenuity. And the means with which you interrupted complex story elements and break them down with practical examples from movies supports and reaffirms every statement you make, and the power of Plot Control.

In fact, I'm so impressed with this wonderful man and his program, that we are recommending it to everyone we know, in the writers guild, here in Australia, and the Producers Association as well, plus fellow colleagues. Thank you."

Jim Healy, Caesar's Sword Productions
"Everything is fine. I received your registration directions right after I had sent the e-mail. I am already using the software for my new book and I am loving it…"
Christos Rodoulla Tsiailis
"The software is excellent and I find using it easy and extremely helpful."
H. Tucker
"I have looked at your software in detail and worked with it and I do not regret purchasing it, at all, it is easy to use, it works well with an amateur like myself (and by the way, my sixteen year old daughter is currently using it and loves it)."
Carlos Torres
"Thank you for the link to Plot Control. We checked it out, and purchased the software. It is truly effective. It's pleasant to listen to Mitchell German, and what an achievement he and his team have accomplished with developing this program. Thank you so much!"
J & B (InkTip Subscribers)
"The software is quite wonderful and easy to use."
Henry Ede
"Very fine program! I'll be recommending it to my screenwriting students."
Charles Deemer

(Important Disclaimer: Testimonials and feedback from industry professionals and Reelwriting students are REAL and have been provided willingly and without any compensation in return. Use of the methods taught in this program do not guarantee any specific results. Individual results will vary based on the amount of effort and creativity that is invested.)